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Tuesday, 7 July 2009

Miyavi

From Wikipedia, the free encyclopedia

Miyavi, born September 14, 1981 in Nishikujo, Konohana-ku, Osaka City, Japan,[2] is a Japanese solo rock artist and former guitarist (under the name Miyabi for the visual kei indies band Dué le quartz, which disbanded in 2002. In the same year, Miyabi announced that he was going solo, changed his name to Miyavi, and released his debut album Gagaku. He soon signed a contract with PS Company along with other artists such as Alice Nine, Kagrra, Gazette, and Kra.

In October 2004, Miyavi released his first major single Rock no gyakushuu -Superstar no jouken- (under Universal Records Japan) and began to credit himself in the songwriting credits in his liner notes as "Myv". His first major album, Miyavizm, was released in June 2005.


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Miyavi
Also known as 雅, Miyabi, Myv, 382[1]
Born September 14, 1981 (1981-09-14) (age 26)
Origin Nishikujo, Konohana-ku, Osaka, Japan
Genre(s) Rock
Pop
Occupation(s) Musician
Instrument(s) Guitar, shamisen
Years active 2002–present
Label(s) PS Company/Universal
Associated
acts
Skin, Dué le quartz
Website O-re-sa-ma
http://i173.photobucket.com/albums/w44/Lain_n/miyavi--.png

Biography

Early life

Miyavi was born in Nishikujo, Konohana-ku, Osaka City, Japan. His mother is Japanese and his father is a second generation Zainichi Korean[3][4] whose parents immigrated to Japan from the Korean island of Jeju. His family's Korean surname was Lee, (Korean: 이귀아, Hanja: 李貴雅) before changing it after moving to Japan. Miyavi has stated that though he has never been to Jeju he would like to do so when he has the opportunity.[5] Although Miyavi does not speak Korean he has expressed interest in learning the language sometime in the future.[6] Miyavi's parents divorced when he was young. Soon after, he moved with his mother to Hyōgo Prefecture (specifically, the city of Kawanishi) to live near his maternal grandparents, where he grew up. Miyavi claims that, as a child, he was a good student and enjoyed playing soccer.[2] Miyavi started playing the guitar and writing music when he was 15 after a soccer injury left him unable to play.[7][8]

http://i42.photobucket.com/albums/e319/iwantmyanime/Miyavi9.gif

Dué le quartz and Indies Era

In 1999, at the age of 18, Miyavi joined the visual kei band, Dué le quartz. The band broke up in September of 2002, and soon after Miyavi released his first solo album Gagaku under the indie label PS Company. Miyavi's significant change in music and visual styles since leaving Dué le quartz caused many of his original audience to disperse, but attracted a new audience.

Miyavi also starred as himself in the 2004 film Oresama and is regularly featured in various Japanese rock magazines such as Fools Mate, Arena 37c, and Shoxx magazine. In the past he has modeled in the Gothic & Lolita Bible and for various brands such as the clothing line Fotus.

In 2004 Miyavi was scheduled to perform at various conventions in the United States, but was forced to cancel last minute due to staff issues. One of the planned events had been a show at Pacific Media Expo, where the Japanese band Psycho le Cému acted as a substitute, while another was at Anime Central, where then-indies band Sid was booked as a replacement. He was also scheduled for Megacon, but no replacement was provided.

In 2004 the maxi-single Ashita, Genki ni Naare hit the number 1 spot on the Oricon indies chart.[9]

Majors and Pop/Acoustic Era

Following his signing with Universal Records Japan in late 2004, he changed his name to "Myv", an apparent shortening of "Miyavi", although magazines and his website still refer to him as "Miyavi" presently.

He released his first Majors single, Rock no Gyakushuu -Super Star no Jouken- in November 2004. He followed up this single with the release of his first Majors album, Miyavizm, in June 2005. Though Miyavizm holds the intense rock sound Miyavi was known for during his early career, after the album's release Miyavi began experimenting with different types of music.

In late 2005 and for most of 2006, Miyavi adopted a softer and more romantic feel to his music as he began producing more of an acoustic/pop sound. This change was reflected in his second and third Majors albums, Myv Pops and Miyaviuta ~Dokusou~, released consecutively in August and September of 2006. He has said of Myv Pops, "It's like putting all the songs that I created, presenting my own attitude towards "popularity", into one album."[10] Miyavi shortly followed up Myv Pops with the mostly acoustic album Miyaviuta ~Dokusou~, centered on the theme of love. Miyavi's focus on the Miyaviuta ~Dokusou~ album was to present himself as a performer. He says of this goal, "[...] for the album, [Miyaviuta ~Dokuso~] I wanted to fit in with the quality of the songs themselves and absorb myself into my performance, playing acoustic guitar alone."[11]

Miyavi showcased his new acoustic stylings for the first time in his "25 Shunen Kinen Koen Tokyo Geijutsu Gekijo 5 Days -Dokuso-" concert series held at Tokyo Geijutsu Gekijo in September 2006. The concerts, centered on his 25th birthday and spanning five days total, also featured a variety of background performers who accompanied Miyavi during his songs, among them tap dancers, percussionists, human beatboxers, taiko drummers, and painters.[12]

Commenting on the change in style from his earliers albums to his current albums, Miyavi has said, "Mostly I like low threshold music, which is popular, vulgar and foolish, and I like such lyrics too. But I also like more adult music too. As an artist, the worst thing for me is to be restrained and I don’t want to bind myself at all."[11]


Recent Events: US Debut, Neo Visualizm & Skin

On February 8, 2007, Miyavi announced via his online diary that he would be performing live in Las Vegas.[13] Due to short notice, only a number of fans were able to attend, but the event marked his musical debut in the United States. The mini-live took place at the Tabu Ultra Lounge in the MGM Grand on the night of February 17, 2007.[14]

On December 30, 2006 Miyavi put out a message that he would be joining a band.[15] At the time, he did not disclose the people he would be working with, but it was rumored that he would be joining the project of Gackt (Malice Mizer), Sugizo (Luna Sea) and Yoshiki (X Japan).[16] On May 25, 2007 at the J-rock Revolution concert organized by Yoshiki in Los Angeles, it was officially announced that Miyavi would indeed be a part of the "superband", named Skin[17][18] Skin, so far consisting of Yoshiki, Gackt, Sugizo, Miyavi himself, and possibly Ju-Ken (Gackt's touring bassist) performed their debut live at the 2007 Anime Expo convention in Long Beach, California on June 29, 2007.[19][20]

In May 2007, Miyavi announced his fourth major album--as well as his first remix album-- to be released in July. The album, titled 7 Samurai Sessions -We're Kavki Boiz-, will feature re-arrangements of his past songs and will feature a variety of instruments such as a turntable, various drums and tap dancing.[21] The limited edition of the album will include a DVD with bonus studio recording footage.[22] Miyavi's 7th major single (and 14th overall), a double A-side entitled Sakihokoru Hana no you ni -Neo Visualizm- / Kabuki Danshi, was released on June 20, 2007, and debuted at #4 on the Oricon Charts.[23] Miyavi's next tour, entitled "The Beginning of Neo Visualizm Tour", is scheduled to start on July 16th. So far, the tour is planned for twenty venues in Japan and a stop in Korea, and will last about six weeks, with its final show on September 2nd at Shinkiba Studio Coast. The tour will also feature the creative accompaniment team of performers (known as the "Kavki Boiz") seen with Miyavi during his "25 Shunen Kinen Koen Tokyo Geijutsu Gekijo 5 Days -Dokuso-" concerts.[24]

On September 3, a new single was announced. "Subarashikikana, Kono Sekai - What A Wonderful World" was released on November 14.[25]

Shortly after this release, Miyavi announced a new single, entitled "Hi no Hikari sae Todokanai Kono Basho de", which was released on January 16th. The single was a collaboration with fellow Skin guitarist, Sugizo.[26] This single, as well as the previous two will be featured on a new album entitled Miyavi -This iz The Japanese Kabuki Rock-.[27]

At a performance on December 25, Miyavi announced "This Iz the Japanese Kabuki Rock Tour 2008", his first world tour.[28] Although tour dates have yet to be released, Miyavi will be performing in Germany, America, England, France, Finland, Taiwan, Japan, China, and South Korea.

http://www.wallpaperbase.com/wallpapers/celebsm/miyavi/miyavi_1.jpg

Discography

With Dué le Quartz

Main article: Dué le Quartz

Albums

  • Gagaku (October 31, 2002)
  • Galyuu (December 2, 2003)
  • Miyavizm (June 1, 2005)
  • Myv Pops (August 2, 2006)
  • Miyaviuta ~Dokusou~ (September 13, 2006)
  • 7 Samurai Sessions -We're Kavki Boiz- (July 18, 2007)
  • Miyavi -This iz The Japanese Kabuki Rock- (March 19, 2008)

Singles

  • Shindemo Boogie-Woogie (November 30, 2002)
  • Pop Is Dead (November 30, 2002)
  • Jingle Bell (December 18, 2002)
  • Jibun Kakumei -2003- (April 16, 2003)
  • Tariraritarara (June 25, 2003)
  • Coo quack cluck -Ku. Ku. Ru- (September 3, 2003)
  • Ashita, Genki ni Naare (June 23, 2004)
  • Rock no Gyakushuu -Super Star no Jouken- / 21 Seikigata Koushinkyoku (October 20, 2004)
  • Freedom Fighters -Icecream wo Motta Hadashi no Megami to, Kikanjuu wo Motta Hadaka no Ousama- (May 4, 2005)
  • Kekkonshiki no Uta ~Kisetsu Hazure no Wedding March~ / Are you ready to Rock? (October 12, 2005)
  • Señor Señora Señorita / Gigpig Boogie (January 18, 2006)
  • Dear my friend / Itoshii hito (April 12, 2006)
  • Kimi ni Negai Wo (July 5, 2006)
  • Sakihokoru Hana no You Ni -Neo Visualizm- / Kabuki Boiz (June 20, 2007)
  • Subarashikikana, Kono Sekai - What A Wonderful World (November 14, 2007)
  • Hi no Hikari sae Todokanai Kono Basho de (January 16, 2008)

DVD

  • Gekokujou (1st Live Concert DVD) (July 23, 2003)
  • Oresama (First Movie) (February 25, 2004)
  • Hitorigei (PV Collection) (August 21, 2004)
  • Indies Last Live In Nihon Budokan (2nd Live Concert DVD) (December 1, 2004)
  • Noriko no Ichi (Budokan Documentary DVD) (January 12, 2005)
  • Hitorigei 2 (2nd PV Collection) (December 7, 2005)
  • Hitorigei 3 (3rd PV Collection) (December 20, 2006)
  • 25 Shunen Kinen Koen Tokyo Geijutsu Gekijo 5 Days -Dokuso- (3rd Live Concert DVD) (May 2, 2007)

VHS

  • Shibuya Kokadi (concert)

L'Arc-en-Ciel

http://image.excite.co.jp/jp/music/closeup/0705/larc_photo.jpg
(ラルク アン シエル raruku an shieru, "the arc in the sky" or "the rainbow" in French) is a popular Japanese rock band, formed in 1991. The group has sold over 15 million albums, 30 million singles, and millions of other units, such as videos.[1]

They are ranked at No.58, in a list of Japan's top 100 musicians, provided by HMV. [2]

L'Arc-en-Ciel
Origin Japan
Genre(s) Alternative rock
Neo-progressive rock
Pop rock
Years active 1991–present
Label(s) Danger Crue, Ki/oon/SMEJ, Tofu
Website www.larc-en-ciel.com
Members
Hyde
Tetsu
Ken
Yukihiro
Former members
Sakura

Formation

In February of 1991, bassist Tetsuya Ogawa (Tetsu), later band leader, recruited vocalist Hyde along with guitarist Hiro and drummer Pero, and formed a band under the name of L'Arc-en-Ciel. After a year of gaining notoriety in their hometown of Osaka, Hiro left the band on June 12, 1992. Pero soon followed on December 30 of the same year, supposedly to join up with his friend Hiro again.[citation needed] To replace the two, Tetsu convinced his friend Ken Kitamura to quit his university studies (he was an architecture major at The Nagoya Institute of Technology) and join the band as the guitarist. Later, a new drummer, Yasunori Sakurazawa, was recruited after Tetsu saw him perform in a few shows.[citation needed]

Debut album and subsequent albums

On April 1, 1993, the band released their debut album Dune under the indie label Danger Crue. The album was a success and rose to number one on the Oricon indies charts, catching the attention of some major labels. In 1994, L'Arc-en-Ciel signed on with Sony's Ki/oon division, releasing their second album, Tierra that same year. Heavenly followed in 1995, and True, their first million seller,[citation needed] was released in 1996.

Sakura's departure

In February 1997, drummer Sakura was arrested for illegal drug possession,[citation needed] and officially quit the band on October 4, 1997. This proved to be the lowest point in the band's history. When news of Sakura's arrest became public, there was an immediate official response. CDs were removed from the shelves and any of their songs that were used as theme songs were quickly replaced, such as "The Fourth Avenue Cafe" for Rurouni Kenshin which was immediately replaced with former theme "Heart of Sword" after only six episodes of running time. Although L'Arc-en-Ciel's latest album True remained on the charts for two years, their next single "The Fourth Avenue Cafe" was postponed.[citation needed] It was eventually released in 2006.

Break and comeback

Self-copy band The Zombies
Self-copy band The Zombies

Over the next few months the group continued to be featured in magazines, but only as a trio. They created their own cover band, The Zombies, and poked fun at their own songs.[citation needed] They also covered artists such as Marilyn Manson and Nirvana. The return from the break was marked by the appropriately named Reincarnation 97 Live in Tokyo Dome, with their new drummer, Yukihiro (former drummer with Zi:Kill and Die in Cries). The first concert had an attendance of 56,000, which sold out in a still-standing Tokyo Dome record of four minutes.[citation needed]

In 1997, "Niji", the first single after Sakura's departure, was released with Yukihiro listed as a supporting member. Not long after the release of the single, Yukihiro was signed on as the official drummer for L'Arc-en-Ciel. In 1998, L'Arc-en-Ciel released the album Heart.

1999–2000 projects

L'Arc-en-Ciel released three more albums of new material during the next few years. Ark and Ray were released simultaneously on July 1, 1999, and became the first Japanese albums to be released simultaneously in many other Asian countries. Both topped the Oricon music charts, with Ark occupying number one and Ray at number two. The release of ark and ray marked the high point of the band's career, with each selling over two million copies.[citation needed] Real followed in 2000, which was the last CD of new material for some time, although many more compilation and remix albums would follow. L'Arc-en-Ciel's last new song before their hiatus, "Spirit Dreams Inside", was the closing theme song to the movie Final Fantasy: The Spirits Within.

Solo projects

After "Spirit Dreams Inside", the band went on a hiatus as the members began working on various solo projects. Hyde released two solo albums (Roentgen and 666) and starred in the movie Moon Child with the popular Japanese soloist Gackt. Hyde also played the part of Adam in the movie Kagen no Tsuki, based on the manga by the same title. Ken founded Sons of All Pussys with L'Arc-en-Ciel's former drummer Sakura. Tetsu started Tetsu69 and Yukihiro sang with Acid Android. The compilation Clicked Singles Best 13 was released in 2001, with twelve songs chosen by fans online[citation needed] and an additional thirteenth song, "Anemone", the band's only new material during this span of years.

http://benippon.com/shop/i/4835609689.jpg

Second comeback

In June 2003, L'Arc-en-Ciel performed a series of seven concerts in Tokyo called the Shibuya Seven Days, during which they announced a new album for release the following year. The band released "Ready Steady Go" in February 2004, its first single in more than three years. It topped Oricon charts[citation needed] and was used as an opening for a popular anime series, Fullmetal Alchemist. The single was followed by "Hitomi no Juunin", in early March. The album, Smile, was released on March 31. Shortly afterwards, on June 2, 2004, the single "Jiyuu e no Shoutai" introduced P'unk-en-Ciel, a partial change, for the first time on CD with "Milky Way". In the past, the band also played a punk version of "Round and Round" live.[citation needed]

U.S. concert debut

A flyer for the band's 2004 performance at Otakon
A flyer for the band's 2004 performance at Otakon

On July 31, 2004, L'Arc-en-Ciel made their North American concert debut at the anime convention Otakon, held annually in Baltimore, Maryland. Approximately 12.000 people attended the concert,[citation needed] which was held at an outside venue for the first time in Otakon's musical guest history, at 1st Mariner Arena located near the Baltimore Convention Center where the convention is held. They were also the first Japanese act (and to date, the only) to perform at the Arena. On May 31, 2005, Tofu Records, Sony Music Japan's U.S. label, released the much-anticipated DVD of the Otakon 2004 concert Live in U.S.A. On June 25, 2007, L'Arc-en-Ciel signed a deal with HMV America.

http://arachnoid.reverie-noire.com/images/shoxxblue.jpg

2005: Awake

In 2005, the band released various singles, including "Killing Me", "New World", and "Jojoushi". These were later featured on their latest album, Awake, which was released on June 22 with twelve tracks, including "Lost Heaven", the closing theme of the Fullmetal Alchemist movie. The band's single, "Link", released on July 20, 2005, was also featured in the movie as the opening theme, but has not appeared on an album yet.

In August of 2005, the band went on their Awake tour, which was limited to Japan. The tour featured displays of anti-war sentiment, reflecting similar lyrics of the songs of the album. A particularly memorable moment was the unfurling of a giant white flag during "Neo Universe". The flag was decorated with the universal symbol for peace.[citation needed] Other memorable moments included a suspended woman and acrobatics during the performance of "Ophelia".[citation needed]

Hyde singing "Revelation" during the 2005 Awake tour
Hyde singing "Revelation" during the 2005 Awake tour

Hyde's costuming for the concerts raised controversy among fans, and proved to be much removed from L'Arc-en-Ciel's earlier visual kei days. The neo-Nazi uniform and the papal robes during the performance of "Revelation" were blatant social commentaries not seen before in the band's concerts.[citation needed]

The Japanese Awake tour was followed by the Asia Live 2005 tour, with performances in Seoul and Shanghai, closing with concerts in Japan. Japan's two concerts took place at the Tokyo Dome.

Late 2005–2007

Following the Awake and Asia Live tours, L'Arc-en-Ciel's members turned their attention back to their solo projects. Tetsu began recording with a new band called Creature Creature. Yukihiro rejoined Acid Android, which released its newest single, "Let's Dance", on April 5, 2006. Acid Android joined Mucc, another Japanese rock band, to perform two concerts in Shanghai, China in April of 2006.[citation needed]

Hyde composed "Glamorous Sky", the theme song to the film adaption of the manga Nana starring pop singer Mika Nakashima. It was the first time Hyde composed music for another vocalist. Hyde's most recent solo singles are "Countdown", the ending song for the Japanese release of the American movie Stealth (released on October 5, 2005), and "Season's Call", the opening song of the anime Blood+ (released February 22, 2006). Both singles topped the Oricon charts.[citation needed] Hyde's latest solo album, Faith, was released in Japan on April 26, 2006, accompanied by a five month tour throughout Japan between April and August of 2006. After signing on with Tofu Records, four small concerts were scheduled in San Francisco and Anaheim, California in the United States. Hyde made his U.S. debut in July of 2006, the first of L'Arc-en-Ciel's solo projects to extend internationally. On August 23, Ken released a solo single entitled "Speed".

On November 25th and 26th, 2006, L'Arc-en-Ciel played two shows at the Tokyo Dome to celebrate their 15th anniversary, entitled L'Anniversary. A poll was created on the official website during the weeks before the concert which allowed fans to pick which songs they would like to hear at the event.[citation needed] The concert was later shown on the WOWOW channel on December 23, 2006. It was also broadcast on February 8, 2007 on Korea MTV.

L'Arc-en-Ciel later released the song "Shine", which was used as the opening song for the NHK-BS Anime, Guardian of the Sacred Spirit. They have kicked-off their Mata Heart Ni Hi Wo Tsukero 2007 tour in Japan. L'Arc-en-Ciel released their first single "Seventh Heaven" on May 30, 2007, which topped the Oricon charts for 2 consecutive weeks.[citation needed] The song "My Heart Draws a Dream", used in a recent Subaru commercial, was released as a single on August 29, 2007 and it made the #1 spot in the Oricon Weekly charts.[citation needed] The track "Daybreak's Bell" was used as the first opening for the anime Mobile Suit Gundam 00, and it was released on October 10th, topping the Oricon weekly charts as well. From November 14 to December 25 there will be a limited edition single titled "Hurry Xmas", along with two new DVDs coming out in September and December, titled L'Anniversary Live and Chronicle 3 respectively.

Following the release of the album Kiss on November 21, L'Arc-en-Ciel have announced a tour called Theater of Kiss, which will be held from December 22, 2007 to February 17,

It has been confirmed that the group will contribute a song to the upcoming video game Devil May Cry 4. The song is entitled "Drink it Down" and it will be released on 31 January 2008.

P'unk-en-ciel

P'unk-en-Ciel is an alter ego of L'Arc-en-Ciel. Introduced in 2004, hyde takes over guitar, ken the drums, yukihiro plays the bass, while tetsu performs the vocals. P'unk-en-Ciel's songs have a more punk sound and their music is usually heavier and faster with a different tone due to tetsu's vocals. hyde often wears a pirate patch over his left eye in P'unk-en-Ciel performances, and yukihiro is known to wear a gas mask. The P'unk en ciel covers are usually released as B-sides on singles, and they can be seen live on DVDs.

Members

  • Hyde – vocals, guitar
  • Tetsu – bass, backing vocals
  • Ken – guitar, backing vocals
  • Yukihiro – drums

ayabie klein


Ayabie is an indie Japanese rock band of the visual kei variety. Dressed in a kinky combination of traditional Japanese garb with psychedelic colours and patterns, Ayabie makes a mind-boggling and unforgettable statement. Kinky, electronic, psychedelic, bizarre call them what you want, Ayabie has burst onto the rock music scene and is performing to sell-out crowds in Japan and fast-gathering audiences in Europe.

Ayabie was formed in the early spring of 2004 by ex-Hinawana members Ryouhei, Takehito and Intetsu. The fourth member to be brought into the band was ex-MASK and ex-Cynical Biscuit vocalist Aoi. Newest to the band is drummer Kenzo. Their music is addictive as it blends an almost playful combination of electronic sounds and often gives the impression of being a crazy combination of hard and soft sounds precisely the basic requirements for any great Visual Kei music. Together with Aoi´s soft yet strong voice, this music gets to young people and this is reflected in the sales of the group's CDs. Ayabie offers a very different kind of music which is gaining appeal to a wider audience, performed by a group with passion in their music and in their performance. Their debut album was released on March 21, 2005. 'Ayabie Sokuka Ongenshuu' and it was, unsurprisingly, an immediate hit. It also came with a bonus DVD which included a few of their PVs. In the summer of 2006, Ayabie announced that their lead-guitarist & group leader, Ryouhei, would leave the band perminantely. Reasons for his departure were not specifically explained, but simply that he and the group shared different idea's. Although sharing differences, the band as well as Ryouhei himself stated that they would remain good friends. On his leave, Ryouhei stated that he would indeed continue his musical career, and soon afterwards started a new band entitled "Megamaso".

Currently, Ayabie just released a new single, 'Kimi no koe to yakusoku'. The single was released in A and B-TYPE form (each single containing a different b-side track). They are also apparently working on a new album which should be released very soon, and have found a temporary support guitarist, Yumehito (ex-Soroban).



Website: http://www.ayabie-web.com

sejarah japan rock

J-ROCK JAPANESE ROCK MUSIC

Jepang rock adalah bentuk populer musik, sering disingkat menjadi "J-Rock" dalam banyak cara yang sama "J-Pop" digunakan sebagai singkatan dari Japanese Pop. J-Rock adalah salah satu bentuk musik populer di Jepang.

J-Rock History Sejarah J-Rock

Psychedelic rock was invented in the 1960s by American and British counterculture figures. Psychedelic rock was invented pada tahun 1960 oleh Amerika dan Inggris Counterculture angka. Tiba di Jepang, psychedelic rock itu pada rasa yang berbeda. Sebelumnya dikenal untuk obat intake dari penyanyi meninggalkan berdampak pada kabur, drugged-out music, J-Rock performers cenderung obat bebas, atau bahkan adamantly anti narkoba (misalnya, Kosugi Takehisa, Haino Keiji, Nanjo Asahito ).

Psychedelic rock pertama kali muncul di Jepang pada pertengahan ke akhir tahun 1960-an. Beberapa Grup band Sounds ditiru mereka Anglo heros, termasuk The Golden cups, The Tempters, The Mops, The Jacks Dynamites dan yang "Karappo No Sekai" dan "Marianne" adalah dua yang pertama psychedelic rekaman dari negara.

Seperti di Inggris dan Amerika Serikat, yang psychedelic rock scene yang terhubung ke sebuah gerakan politik yang melibatkan anak muda, siswa bersemangat. Ekonomi boom membawa banyak anak muda untuk perguruan tinggi, di mana politik radikal . Pusat gerakan ini, timbul dari akhir 60s Kyoto siswa revolts, adalah band Les Rallizes Denudés dan Taj Mahal Travellers, diikuti oleh Lost Aaraaff.

Pada tahun 1970-an, singer-songwriters seperti Kazuki Tomokawa Kan Mikami dan menjadi terkenal. Seperti di Amerika Serikat dan Inggris, Jepang spawned kaum batu-batu pemandangan, ada yang dipimpin oleh Magical Power Mako. Pada saat yang sama, radikal progresif rock telah berkembang, dengan band-band seperti khas Jepang Setelah Dinner dan YB02, Kenso dan KoenjiHyakkei.

Dari akhir tahun 1980-an populer rock bands seperti X Jepang membantu menentukan estetika Visual Kei di Jepang rock dan musik pop. "Visual kei" sering terfokus pada di Barat khas Jepang sebagai bagian dari Rock music scene. Strictly speaking, Sesungguhnya, bagaimanapun, "Visual kei" tidak ditentukan oleh suara (yang mungkin atau mungkin tidak "rock" music) tetapi tampilan pada band.

pinggiran gerakan dari akhir tahun 1980-an di Jepang rock alternatif mengambil bentuk suara rock, suara popularised oleh band-band seperti Boredoms.

J-ROCK Bands J-ROCK Bands

The 5,6,7,8's Yang 5,6,7,8 's
Acidman Acidman
Asian Kung-Fu Generation Asian Kung-Fu Generation
Bleach03 Bleach03
The Blue Hearts Blue Hearts
The Boom Yang Boom
BOØWY BOØWY
Boredoms Boredoms
Brahman Brahman
The Brilliant Green The Brilliant Green
Buck-Tick Buck-Tick
B'z B'z
Dir en grey Dir en grey
Do As Infinity Seperti yang dilakukan Infinity
GLAY GLAY
Guitar Wolf Guitar Wolf
The Golden Cups The Golden cups
GO!GO!7188 GO! GO! 7188
The High-Lows The High-Lows
Janne Da Arc Janne Da Arc
L'Arc-en-Ciel L'Arc-en-Ciel
Luna Sea Luna Laut
Malice Mizer Malice Mizer
Miyavi Miyavi
PYG PYG
RC Succession RC Succession
Shonen Knife Shonen Knife
the pillows dengan bantal
Thee Michelle Gun Elephant Thee Michelle Gun Elephant
The Tempters The Tempters
The Tigers The Tigers
The Yellow Monkey The Yellow Monkey
Vodka Collins Vodka Collins
X Japan X Japan

(Article based on Wikipedia article and used under the GNU Free Documentation License ) (Pasal berdasarkan artikel Wikipedia dan digunakan di bawah GNU Free Documentation License)